This instrument is generally made of paulownia wood, has an oblong sound
box with a curved top and strings with individual frets which can be moved
right and left to modulate the notes. The zheng has a five-note scale,
with its musical range reaching four octaves. The zheng has appeared in
many forms throughout its history, but the type of zheng usually played
nowadays has 21 strings, although other schools of the instrument use
18 or 24 strings. The tone color is mellow and clear, and the notes tend
to linger, making the zheng a good instrument for describing floating
clouds or flowing water, or subtle and understated moods. Representative
schools of the zheng are the Henan and Shandong schools in the northern
region, (Fig. 2-18) and the Zhejiang, Chaozhou (Guangdong) and Hakka schools
in the southern region. The most important playing techniques are (using
the right hand) support, hook, pick, stroke, poke, pluck, strike, fancy,
scoop, roll and shake, and (using the left hand) sound, tremble, rub,
press, push, glide, dot and float. Representative works are The Fishermen
Sing in the Evening, Mountain Torrent, The Han Palace in the Autumn Moonlight,
Cold Ducks Paddling in the Water, Raindrops at Night on the Plantain Outside
the Window and Scented Breeze.
The Fishermen Sing in the Evening became widely popular and influential
as a zheng solo piece in the 20th century. The title is taken from a poem,
Preface to the Teng Wang Pavilion, by the Tang dynasty poet Wang Bo. The
rolling sound which is characteristic of the zheng is particularly suited
to express the background setting of a shimmering lake and mountains gleaming
in the setting sun. This piece is noted for the way it blends technique,
poetry, vividness and musical sound in the course of the rise and fall
of the melody. The depiction of the fishermen's happiness and the scene
of the fishing boats wending their way homeward reaches a high level of
artistry.
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