This period of history spans the Shang and Western Zhou dynasties, the
Spring and Autumn and Warring States periods and up until the time the
Qin Dynasty united China ?about 1,300 years. It can be roughly divided
into two phases: the first comprising the Shang Dynasty, and the other
from the beginning of Western Zhou onward. There is a fairly clear distinction
between the two, although they had something in common in that bells and
drums were the dominant musical instruments.
The Shang Dynasty was active over a wider territory than Xia, but they
were both based on the same central area, the present Henan region. Shang
directly inherited the musical tradition of Xia, and developed it to a
remarkably high degree.
An outstanding feature of Shang society was its awe of supernatural beings.
Despite what the On Politics of Analects of Confucius says: "The
Yin (Shang) Dynasty inherited the system of rites from the Xia Dynasty."
sacrificial ceremonies and witchcraft were much more prevalent in the
Shang than in the Xia Dynasty, so much so that historians have dubbed
Shang a "culture of sorcery". Ceremonial rites were inevitably
accompanied by singing and dancing, which had been a tradition since primitive
times. Indeed, there was an ancient saying that "rites cannot be
performed without music". As late as the middle of the Western Han
Dynasty (second century BC), even in the poorest regions, when sacrifices
were offered to the local deities, songs would be sung in chorus, accompanied
by tapping on ceramic jars and plates. So it goes without saying that
sacrifices and other superstitious activities were occasions for grand
performances of music and dancing. Another characteristic of Shang society
was its veneration for music and dancing. The people of Shang used to
communicate with the gods by mean of music, and sing fervently to make
the gods hear them. Music and dancing were important means of offering
tribute, serving and entertaining the gods, as well as a channel linking
the gods and men.
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