Primitive music was inseparably connected with dancing. This is probably
a phenomenon which has occurred in the histories of all the peoples of
the world, and China is no exception. In the Zhou Dynasty which began
in the 11th century BC, at the latest, the art form which combined music
and dancing was called yue in China. And when music and dancing became
separate art forms later, yue could still refer either to dancing or to
music, preserving the vague meaning. Nowadays, yue refers specifically
to music, so scholars use yuewu to describe primitive yue. Some primitive
rock paintings available now depict, in a most life-like manner, scenes
of primitive performances of music and dancing in groups. In later documents
are found fragments of "recollections" which reveal that primitive
singing and dancing were intimately bound up with sacrificial rites and
prayers for good harvests, and therefore must have contained features
of productive activities.
In primitive times, music and dancing were not objects of division of
labor, and there was no specialized class of musicians. Music and dancing
were activities involving the whole of tribal society. As a consequence,
there were no were no special features or identity for artistic forms,
independent of society.
Strictly speaking, it was only after the founding of the Xia Dynasty,
in about the 21st century BC, that music and dancing truly participated
in the social division of labor, and became independent aspects of society.
It is said that the founder of the dynasty, Qi, and the last ruler, Jie,
held huge performances of music and dancing for their own enjoyment, which
indicates that there had already emerged a large class of specialist musicians
and dancers, and marks the emergence of music and dancing as independent
arts.
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