The form of Daqu which developed during the Tang Dynasty, combining instrumental
music, singing and dancing, was a comparatively sophisticated artistic
achievement which was clearly inseparably linked to musical exchanges
with other nationalities, and was certainly not a result of the natural
development of Han and Wei Daqu. The structure of Tang Daqu was extensive,
consisting of 20, 30 or even 50 sections.
The classic form of this Daqu was divided into three major parts, and
each part consisted of a certain number of sections. The first part was
the sanxu, which utilized a rhythm of free accented beats. Xu means sequence.
The arrangement of this section was in random accented beats, and so it
was known as sanxu, or random sequence. Sanxu was purely instrumental,
either solo, alternating or ensemble. The next part, zhongxu (middle sequence),
had a fixed rhythm which could be dictated by clappers, and so it was
also called paixu, or "clapper sequence". It was also known
as the first song, as singing (sometimes accompanied by dancing) was the
centerpiece of this part. Most of the middle sequence consisted of slow
accented beats. The final part was the po, or "breakup". The
centerpiece of this was dancing (sometimes accompanied by singing), and
it was also called wubian, or "dance piece". The rhythm got
steadily faster in this part, until it reached a crescendo. Because of
its extensive structure, Daqu music took a long time to perform. For instance,
the famous Daqu melody Raiment of Rainbows and Feathers must have taken
over one hour to perform, as a famous poet of the time comments, "Our
boat traveled 15 li from the city, accompanied all that way by the strains
of 'Raiment'". The names of some 40 or 50 Tang Daqu works are known;
besides Raiment of Rainbows and Feathers, other famous ones include Liangzhou,
Yizhou and The King of Qin Breaks Through the Battle Line.
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