Iron picture, also called Wuhu Iron Picture, is a cross between painting
and sculpture. It was first created by Tang Tianchi, a blacksmith who
lived in Wuhu, Anhui Province in the mid-17th century. Using the anvil
as his inkstone and the hammer as his brush, Tang forged, filed and shaped
iron strips and wires into pictures by following the principles of composition
of Chinese painting.
The art developed by the smith-artist has been handed down and cultivated
for 300 years. The iron picture is usually painted black -- with or without
luster -- forming a clear contrast with the light-colored wall where it
hangs. The landscapes, flowers and plants represented in iron appeal to
viewers due to their three-dimensional effect of simplicity and boldness
that is rarely found elsewhere.
The craft combines the traditional techniques of Chinese painting and
calligraphy, sculpture and paper-cutting. It uses iron as the drawing
brush through the process of smelting, forge-drilling and filing, making
iron into pictures of high-art value. To iron a picture is to hot-etch
a picture on a piece of wood, using the changes and variations of the
dark and light to express the artist's thinking. The technique characterizes
simplicity and nature, typically by using the wood mechanism. Making use
of the wood grain is the signature technique of iron pictures. It possesses
a high aesthetic value and is collected.
Following in the footsteps of Tang Tianchi was another celebrated iron
picture artisan named Liang Yingda. Subsequently, there were no other
really outstanding masters, but the art was handed down from generation
to generation by skillful craftsmen. Now, iron pictures are not only favorite
artistic ornaments for ordinary people but are also displayed at national-level
guesthouses or halls, demonstrating the unique artistic charm of appealing
to both refined and popular tastes.
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