This is an ordinary house, the former residence of Lu Xun. He was born in 1881
and lived in this house until 1899. BETWEEN 1910 AND 1912 Lu Xun returned
home and taught in Shaoxing High School and Shanhu Normal School. Many
of the exhibits are originals. Hundred Grass Garden is in the rear of
the house, where Lu Xun spent his childhood. Located east of this former
residene is called Sanweishuwu三味书屋 where he studied
Lu Xun (1881-1936) was a great modern Chinese writer, thinker, and revolutionary.
The late Chairman Mao Zedong paid Lu Xun this tribute: “the chief commander
of China’s cultural revolution, he was not only a great man of letters,
but a great thinker, and revolutionary.” Born in Zhejiang Province in
1881, he went to Japan in 1902 to study medicine but eager to change
the spirit of the Chinese people until 1909, he decided to become a writer.
He tried to arouse his fellow-countrymen to make China strong. Literature
was to be his means. Suring the polemics for 1905 to 1907 between the
revolutionaries headed by Dr Sun Yat-sen (1866-1925) and reformers led
by Kang Youwei (1858-1927) and Liang Qichao (1873-1929), Lu Xun supported
firmly Dr Sun Yat-sen. Lu Xun returned to China in 1909 and started teaching
first in Hangzhou and then in Shaoxing. Soon the bourgeois revolution
of 1911, led by Dr Sun Yat-sen, broke out. He welcomed the new republic
with great hope and in 1912 he assumed a post in the Ministry of Education under the provisional government in Nanjing. In May that year he moved with
the rest of the Ministry to Beijing, where he lived for 14 yeas. Here
he witnessed the failure of the 1911 Revolution, and his bitter disappointment
led to frustration and dejection. Between 1907 and 1936, he finished
three collections of short stories. Two of the stories there in, “A Madman’s
Diary” and “The True Story of Ah Q,” stand as the epitome of his work.
And his 16 collections of essays made him one of the most significant
essayists of 20th century China. In his introduction to “The true Story
of Ah Q” one of his immortal works, he declared that he wanted to portray
the “silent soul of the people” which for thousands of years, “grew,
faded and withered quietly like grass under a great rock.” Ah Q is the
leading character in The True Story of Ah Q, the famous novel by the
great Chinese writer Lu Xun, Ah Q typifies all those who compensate themselves
for their failures and setbacks in real life by regarding them as moral
or spiritual victories. “Fierce-browed, I coldly defy a thousand pointing fingers;
head-bowed, like a willing ox I serve the children横眉冷对千夫指,俯首干为孺子牛。”Many
who see in it the epitome of the character of Chinese people cherishes
this couplet, taken from a poem by Lu Xun: Righteousness, honesty, and
respect for humanity. As a youth he lived in a gloomy, failure-ridden
atmosphere. Among his family, who lived in a typical courtyard home,
were several unsuccessful uncles who were addicted to opium. The imprisonment
of his grandfather, a government official, together with the sickness
and death of his father, exhausted the family’s wealth. In spite of the
family shame, he worked hard and in 1902 won a government scholarship
to study in Japan. He later returned to China to devote his life and
writing to the nation’s new cultural movement. In the May 4th Movement
in 1919, he worked together with Li Dazhao (1889-1927), one of the earliest
Communists in China, for a progressive Journal The New Youth. From 1930
on, he joined the League of Left-Wing Writers and the China League for Civil Rights, and
was active in revolutionary political and cultural activities. During
his lifetime, he translated more than 200 works by over 90 writers from
14 countries, totaling 2.5 million characters and making up nearly half
of the 20 volumes of his Complete Works. The play “Kong Yiji” is about
the life story of “Kong Yiji”, the hero is one of the short stories of
the late literary colossus Lu Xun. The play tries to show the cruelty
and degeneration of the imperial examination system and the entire feudal
system. Lu Xun devoted all his life to the cause of Chinese culture.
He died of tuberculosis in Shanghai on October 19, 1936.
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