Guangzhou 广州市 - The Chen Clan Academy or Chen’s Ancestral
Hall
陈家嗣
Located right near the Chenjiaci Subway Station, in the western part
of the city,, and with a floor space of 13,200 square meters in 19 buildings,
the Chen Clan Academy is one of the famous historical sites typical of
South China architecture. Built in 1636 in the late period of the Ming
Dynasty with funds raised by the Chen families from 72 counties of Guangdong
Province, It was a site for worship as well as a place for Chen children
to stay while taking imperial examinations in Guangzhou. In the academy,
the spacious halls interspaced by courtyards and connected by verandas
are decorated with a good collection of beautiful and exquisite Guangdong
folk arts and crafts. Stone carvings, brick-carvings, lime sculptures,
wood-carvings and objects of iron casting can be found everywhere. Decorations
of artistic wood-carvings are especially superb and exquisite. All carved
out of wood, the four screens at the front entrance and the twelve big
screens in its “Sage-Gathering Hall” appear magnificent and imposing,
and can be rated as rare pieces of artistic wood-carvings. Beams and niches in
the academy are all decorated with delicate wood-carvings involving various
interesting subjects. Wood-carvings of poems and pictures are mainly
used to adorn the front-door walls, which seem to form a beautiful art
gallery. Vivid in shape and life-like in appearance, the Shiwan ceramic
figurines on the eaves are all made on themes taken from Chinese historical
stories. This noted Ming-dynasty structure, once seriously damaged, has
been renovated and restored to its original grandeur. It is the most
complete and magnificent artistic structure in Guangdong Province still
in existence.
After the abolition of the imperial examination in 1905, the academy became
the Chen Clan Industrial School. Later on it became the Liberal Arts
and Normal School, the Guangdong Athletic Academy and a middle school,
In 1957, the municipal government listed it as a cultural relic under
protection. The State Council in 1988 listed it as a national relic under
special preservation. The layout and architecture, that of a typical
academy of its day, remind the visitor of the dual function of the dual
function of the mansion. The houses on either wing accommodated students
preparing for exams or waiting for results. Yet the strictly symmetric
layout and the grandiose style make it different from other academies
in China. The axis-symmetric design is consistent with the traditional
concept of “centering to be respected,” reflecting the authority of the
Chen family’s ancestors and the purpose of bringing the clan. The rear
building served as the ancestral hall, where there used to be more than
5,000 ancestral tablets on the high extended shrine. Large-scale ceremonies were held here every year,
including the Lantern Festival sacrifice, the spring sacrifice and the
autumn sacrifice. The family would come from across the province to celebrate.
Buildings are interspaced by courtyards but connected with verandas,
thus forming a magnificent complex of grand halls and broad gardens able
to hold huge crowds. While the building structure reflects the origin
and functions of the mansion, the Chen Clan Academy is best known for
its architectural decorations, which not only show off the clan’s high
level of 17th century folk arts and crafts. Each building is decorated
inside and outside with vivid carvings in wood, brick or stone, ceramic
and lime sculptures, iron castings and paintings. This illustrates the
varied crafts of the region and era. On the 80-meter front wall of the
academy, six enormous brick carvings stand out. Precisely wall of the
academy, six enormous brick carvings stand out. Precisely connected by
engraved smaller bricks, the carvings depict flowers, phoenixes, and plots of folk stories.
The carving skills are so deft that the flakes can show different colours
of black, white, cyanic and gray as the sunlight changes throughout the
day. Other brick carvings can be found on the tops of the walls, doors,
and windows and under the eaves. Most of the estates’ carvings are wood.
Four large partition screens of double-sided wood-carvings stand in the
hall of the front buildings, depicting stories on each side. The bright,
green front garden is visible through the partitions. Similar screens
dot the estate’s halls and rooms. Enormous lime sculptures in the Chen
Clan Academy are also notable and reflect important skills found is the
province. The lime sculptures on the roofs and walls were the result
of ingenious artwork. The hills and waters depicted follow the building’s
form, while animals and flowers protrude from the walls. Red and greens
abound. On the top of one wall are six pairs of unicorns, all in red
with big round eyes, ready to pounce. As the Chinese word for bat sounds similar to the one
for good luck, bats in lime carvings are very common, too. Among the
most beautiful works is the ceramic sculpture atop the middle-row Talents-Gathering
Hall. The piece stands at 27 meters long and 3 meters high, depicting
historic stories and fairy tails with towers, pavilions, flowers, fruits,
birds and beasts. The human figures have strong colours and simple profiles.
Stone carvings coat the doorposts, corridor poles, railings, wall skirts,
pillar bases and stairs. Stone carvings are commonly used in Guangdong’s
folk architecture, and the academy collects the best of them, too. These
carvings often depict flowers, fruits and branch-entwined birds. The
styling of pillar stone bases reflects the exceptional stone decoration
in Guangdong Province. Most of the stone bases in ancient China were
formed to look steady, but Chen Clan Academy shows that since the Qing
Dynasty the trend has been towards decorative, light, and corset-like pillar bases. They are different from the round shape of pillar bases in northern
China because here they are octagonal. The visitor is understandably
overwhelmed by the decorative art throughout the halls of the estate.
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